“Oh, I don’t know,” laughed Joan. “Dr. Johnson always talked of a ‘dish’ of tea. Gives it a literary flavour.” They parted at Charing Cross. Joan would write. They agreed it would be better to choose separate days for their visits to Folkestone.!

Joan had promised to go down on the Friday; but finding, on the Thursday morning, that it would be difficult, decided to run down that afternoon instead. She thought at first of sending a wire. But in Mrs. Phillips’s state of health, telegrams were perhaps to be avoided. It could make no difference. The front door of the little house was standing half open. She called down the kitchen stairs to the landlady, but received no answer. The woman had probably run out on some short errand. She went up the stairs softly. The bedroom door, she knew, would be open. Mrs. Phillips had a feeling against being “shut off,” as she called it. She meant to tap lightly and walk straight in, as usual. But what she saw through the opening caused her to pause. Mrs. Phillips was sitting up in bed with her box of cosmetics in front of her. She was sensitive of anyone seeing her make-up; and Joan, knowing this, drew back a step. But for some reason, she couldn’t help watching. Mrs. Phillips dipped a brush into one of the compartments and then remained with it in her hand, as if hesitating. Suddenly she stuck out her tongue and passed the brush over it. At least, so it seemed to Joan. It was only a side view of Mrs. Phillips’s face that she was obtaining, and she may have been mistaken. It might have been the lips. The woman gave a little gasp and sat still for a moment. Then, putting away the brush, she closed the box and slipped it under the pillow. “I felt a bit afraid of her,” laughed Joan, “so I made her promise not to part with it. Is he really very ill, her husband?”

“Take care they don’t get the best of you,” Miss Ensor advised him. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. She must write to him. The sooner it was done, the better. Half a dozen contradictory moods passed over her during the composing of that letter; but to her they seemed but the unfolding of a single thought. On one page it might have been his mother writing to him; an experienced, sagacious lady; quite aware, in spite of her affection for him, of his faults and weaknesses; solicitous that he should avoid the dangers of an embarrassing entanglement; his happiness being the only consideration of importance. On others it might have been a queen laying her immutable commands upon some loyal subject, sworn to her service. Part of it might have been written by a laughing philosopher who had learnt the folly of taking life too seriously, knowing that all things pass: that the tears of to-day will be remembered with a smile. And a part of it was the unconsidered language of a loving woman. And those were the pages that he kissed.